Bahti Indian Art - Tohono O'Odham Basketry

Tohono O'Odham
Basketry

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TOHONO O’ODHAM BASKETRY

      The Tohono O’odham is a tribe of the Sonoran Desert region of present-day southern Arizona and northern Sonora, Mexico. Formerly known as the Papago   (which was an English mispronunciation of a Spanish mispronunciation of another tribe’s name for them)   Tohono O’odham is a Uto-Aztecan word meaning 'Desert People' and is their name for themselves.
      A Tohono O’odham "hoh" or basket is made from a coil of bear grass (Nolina microcarpa, called moho in their language) sewn with bleached white yucca (Yucca elata, tokway).   Other materials used include green or yellow-green unbleached yucca, black from the seed pod of the devilsclaw plant (Martynia parviflora, eehuk) and on occasion, red from the root of the Spanish or Shin Dagger (Yucca arizonica, oh’eetock).
      There are two styles:   the split-stitch, which is used for utility or storage baskets;   and covered stitch baskets, for those which are subject to more wear, like baskets for parching or winnowing.

(C)   BAHTI Indian Arts, 1977--2007

TOHONO O’ODHAM BASKETRY
MAZE PATTERN

      The Tohono O'odham maze pattern, sometimes referred to as the Maze of Life, is a pattern found as a petroglyph in many areas of the Sonoran Desert that is the traditional home of the O'odham and their ancestors, the Hohokam.
      The design is generally believed to represent the path that I'itoi --Elder Brother-- took to his home near the base of Baboquivari Peak in order to evade anyone who might follow him.   Their relatives, the Pima ( Akimel O'odham ), are recorded as having said that it was the floor plan of a home built by Se-eh-ha to confound his enemies.
      In recent the past century the story has evolved into the maze as a symbolizing the path of life.   There is some disagreement as to whether the figure is entering or leaving the maze.   The version that has the figure entering goes on to say that the small 'nook' near the center where one sits and reflects upon one's life before completing the journey.
      Regardless of the version, the design lends itself well to the path-of-life interpretation as while it has no shortcuts, there are no dead-ends either, and the entire path must be followed in order to complete the journey.

Copyright 1997-2009 Bahti Indian Arts


This older Tohono O'odham basket has a saguaro harvest scene on it --an activity that is happening right now-- gathering the fruit to make seed cakes, syrup and saguaro wine for a very special rain-bringing ritual called Nawait that is still observed at at least one village.   Made in the 1960s, it measures 10 by 10.5 inches.   $875.

Fred Cruz made this horse and wagon,   or as one elderly lady from San Pedro village once told me "that was our version of an RV!"   10.5 inches long and 4 inches high.   $300.



Esther Lopez, originally from Ak Chin, brought in this basket, which measures 12.5 by 1.5 inches and has 3 coils per inch, $425.   Esther's mother, grandmother and aunt all wove very nice baskets, and it is from them she learned and was inspired.


A maze basket by Doris Jose, 8.5 by 1 inch ,larger than usual for her.   The coils start out at 5 coils per inch, but get wider and stronger towards the rim.   $400.


Doris Jose wove this wonderful maze basket with the friendship dancers in black from ihuk and red from the root of the shin dagger yucca, called oo-edock in O'odham.   It measure 11 inches across and is $675.  

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Doris Jose woven this 10 inch diameter turtle basket with both covered stitch and split stitch work.   $145.  

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This basket design was described by the weaver, Phyliss Jones, as being "four dogs barking at a cat".   It measures 13 inches across, priced at $300.   Phyliss, who was born in Fresnal Village at the foot of the Baboquivari Mountains in 1960, has been weaving since age 7, learning from her mother and grandmother.   When talking about her work and why she weaves, she said, "making baskets keeps my mind clear."



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